Internet Video

posted 02/16/08 by Rick Webb

Ahh, the promise of interactive advertising. A completely new paradigm. Let’s remember one of the original promises of the economics of Internet advertising: for the cost of producing just one broadcast spot, you can have a website that millions can see, without even paying for the media. As true as it was, and, perhaps even more so, still is – it seems so simplistic now. Banners. Value Adds. Viral. MySpace. YouTube. Media titans once again doing battle over the landscape of the Internet. It all seems so complicated, so dot com all over again, and yet new. Web 2.0 is a buzzword, of course, but I think we can all see that things are different now.

Why this is relevant to the topic at hand, however, is because of what we’ve witnessed in the realm of the Internet and Video. We all know about YouTube, of course. It’s changed everything in ways that surprised many of us. But it’s more than that. It’s iMovie. It’s iPod videos. It’s DIY. It’s the Subservient Chicken. And it’s something else.

Video is what ad agencies know. It’s what production houses know. It is the staple of a multi-billion dollar industry. And when it comes to this big bad thing called the Internet, it’s a way of viewing the Internet that advertisers can all understand. We believe that the phrase “viral video” arose almost entirely because it really made advertisers feel pretty good. Funny videos? Hey! We can do that.

But let’s not forget the original genius of the web. It’s interconnected, of course, but it’s also interactive. There are so many new tools at our disposal. Would the chicken have been as funny if it had a bunch of buttons that said “play video number 1,” “play video number 2,” etc.? Sure, there are times that playing a video over the web is pretty brilliant. Right now a series of three videos we made for Milwaukee’s Best Light have received over 4 million downloads on YouTube. It’s crazy. And it’s working. Viral videos can be useful, but they are but one tool in an arsenal.

One of the things we’re most proud of is that someone put our anyfilms.net site on Wikipedia as an example of interactive film1. On television, we are passive viewers who watch a series of frames pass before our eyes. We can change the channel and passively watch another set of frames, or we can get up and walk away. That’s about it. With interactive video, we can change the order of these frames. We can affect what is in the frames. We can get frames more to our liking. We can make the frames. It’s a ridiculously larger palette, and it’s one that we don’t want to throw out just because it’s a more complicated task to produce. Let’s always remember that interactive video is still in its talking head phase – we’ve only just scratched the surface.

Now, there’s something else we want to discuss with you regarding video and the Internet. Remember the original value proposition we started this section out with? For the cost of producing one broadcast spot, we can make a whole site and reach millions of people. Well, that falls apart, doesn’t it, if the website also includes a bunch of video that we produce in the exact same way as we do for television. If we make a website, and shoot not thirty seconds of video, but, say, 5 minutes of video, and do all of it with the same production values and budgets as we would a broadcast spot, well, then, it wasn’t cheaper than that spot anymore, was it? It was actually exponentially more expensive. We tell you this not because we don’t want you to give us millions of dollars to produce your interactive video content (believe you me, we do, we do), but rather because it’s important to keep in mind that if we change that original value proposition, in many cases, our goals and needs change as well. Sometimes this is a good thing – witness Fallon’s groundbreaking BMW films – and we can all rock it. Sometimes, though, we actually love Internet advertising because it can be cheap, so we need to keep it cheap.

This isn’t necessarily a bad thing, of course. Web video, though getting better all the time, is a lot lower resolution than television, and especially HDTV. Awesomely and wonderfully, this won’t be the case very soon, but it still is now. There is a level of polish that you may not need. And not only that, the rise of the DIY, of the YouTube and the iPod has given rise to a different kind of aesthetic in web video that we can tap into. It doesn’t always have to look like a million bucks. Of course, there are times when it needs to, and in those cases, give us the resources and we’ll make it look like a million bucks. Amazingly, we can make something look like a million bucks for about $500,000. We’re magic like that. This is a joke. Sort of.

The final thing to keep in mind in all of this, then, is that your web video shoot is not a broadcast shoot. Chances are good, that in this day and age (and again, this will change soon in the future, we feel it), your website, the banners we’re building, any viral boosting, etc., and the web videos we’re making for you are all still costing, in total, less than a broadcast spot or two. This is awesome. We’re a different kind of company, and we’re used to this. Our cost structure is different than broadcast. But it’s important to remember: you didn’t pay us enough to put six people from your company in a fancy hotel, or even to really cater the shoot in the way you’re properly used to. It’s not because we’re cheap, it’s because the economics of web shoots are still fundamentally different than those of broadcast, and we all need to scrimp a little bit to get the job done on a smaller budget. This probably goes without saying, we realize, but if it’s your first web job, and you’re used to the cushy world of broadcast advertising, well, welcome to the world of the cheap. The Internet, though sucking up more of your money every year, is still the poor cousin of advertising. And, by the same token, the shoot might not have PAs. The shoot might not have the size of a crew that you’re used to. Try and not compensate for this by, say, sending our creative lead out to get coffee. Just a thought.

1 Wikipedia Interactive Film Article, as of Jan. 31, 2007. Originally uploaded by a bloke named “Peter S.” on March 1, 2006, bless him. Check his history page. It definitely wasn’t us. We don’t know anything about Dubai. I mean, seriously, look at us

Here are some recent posts from our employees about Internet Video:

Inside Netflix's New Hotness

Speaking of transparency: Being the nerd that I am, I was fascinated by Netflix’s recent blog post about the nitty-gritty of the encoding process for their “Watch Instantly” streaming service. Of particular interest to me as a Mac user was the amount of effort they’ve had to put into switching to Silverlight—basically re-encoding every item in their library, much like YouTube did when they began supporting RTSP streaming on mobile devices. Of course, this transition also opens the door for the new Xbox streaming service, so maybe I shouldn’t feel so special, but it’s still quite a feat.
I’ve been trying out Netflix’s new Silverlight player at home and I’ve been very pleased with the results so far. The automatic bandwidth adjustment isn’t entirely seamless on my slow home connection, but I have to say that the frustration of the occasional “buffering” progress bar is far outweighed by the joy of being able to watch old History Channel documentaries and episodes of Law & Order: Special Victims Unit (ad-free!) on my Mac Mini at home. That plus terrestrial high-def TV makes it that much easier not to be a cable subscriber. Yay!
(By the way, in case you haven’t heard: If you’re a Netflix member who’s interested in joining the Silverlight beta program, you can opt in here.)

Election Eve and the Internet

The Internet has once again shown its mightiness. I am so proud. On the eve of this historical election people worldwide are glued to their computers. As I am.
My favorite thing? The CNN clickable map. It lets you pick how states are going to vote and see what impact that will have on who wins. It starts with the present situation based on the latest polls and then you can play around. You can assign the states you like with Obama and the states you don’t care for that much with McCain (or vise versa, of course). You can choose “all Obama” or “all McCain.” Or you can make a nice pattern. It’s pretty fun.
Here’s my striped version of the electoral map. Apparently in this example, Obama wins 321 to 217.
Then of course there’s internet video. Online video dominated this entire election. From SNL reruns on hulu to the even more hilarious real life Palin-Couric interview series. It was amazing. Here’s a nice article from Time the Top 10 Campaign Moments summarizing the best video moments. My favorite is Wassup 2008. Pure genius.

Opera Study concludes 4.13% of web standards compliant

Opera also ran the pages indexed by MAMA through the W3C’s validation tools to see how many conform with standards. The results show that only 4.13 percent are valid. A more startling conclusion that Opera derived from its MAMA data is that only 50 percent of sites that display a badge touting validation are actually valid. This could indicate that many sites which are initially designed with valid HTML later cease to be valid as changes are made and new content is added.
And I’ll just add in here that http://barbariangroup.com does pass validation. What is interesting is that our blog page fails validation due to embed code that we grab from other sites to embed content in blog posts, which totally reflects the findings of that study. Too bad because I know Kenji worked hard on that markup!

Youtube really gets me.

John McCain gets BarackRoll'd

This is pure genius. Serves them right for posting a HUGE blue screen behind John McCain during is speech, and its brilliantly edited.

DNC and Silverlight

So, I kind of snubbed nbc.com for the olympics for other available, non-silverlight sources, but I had read a (shockingly) good review of demconvention.com and its HD feed of the Democratic Convention on Gawker. Then I got to my New York apt and tried to find an over-the-air signal for my television and there was none, so I was getting panicky and really wanted to watch the DNC, so I said “okay, I’ll listen to gawker and try demconvention.com.”
Turns out the thing was Silverlight. I hate downloading plug-ins, makes me feel all 1998 n stuff. But i persevered and downloaded two plugins – one for Silverlight and one for Move Networks – and went for it.
OMG, it was amazing. I watched all manner of Democratic congressperson and soldier in amazing HD, streaming, in real time. And not only that, I was in awe of it’s auto-correction and bandwitdh optimization management. The stream would effortlessly switch from HD to standard resolution to low res, depending on bandwidth, and sometimes you could see both streams in the same frame. Really solid stuff. Color me impressed.
Day three, however, made me realize that it had some problems. I’m not sure whether the problems were with the fact that I was watching more pre-canned video than live (and maybe they are on slower servers), or if my neighborhood (my roomie and I share straight up standard Time Warner Cable Internet), or my machine, but the whole thing was unwatchable, and this is where the problems started cropping up:
1) There’s no option to say “okay, silverlight, just play the low res version already I don’t really care if there’s a HD version available I’d just like it to stream k thnx bye.” I am assuming this would go in the prefs panel.
2) speaking of the prefs panel, it shows up with a right click (control-click on a Mac) when you’re at standard size, but in large size, it does not. Weirdly, and additionally, the only way to get out of full-screen is by typing control-click, which is not documented anywhere. They need a little instructional blurb, like flash, letting me know how to get out of full screen mode.
3) Silverlight is an absolutely insane resource hog. I didn’t bother looking the first day, but the thing sucks up like 80% of both of my cores on my MacBook Air. The rest is taken up by kernal_task, which is a finder-level process, but i can’t help but think Silverlight is directing the task, because when you quit Safari, it all goes back down to zero.
4) God help you if you have Growl installed, because it slows Silverlight down to an unusable extent.
5) It’s play/pause controls are woefully unresponsive, and it doesn’t seem to let you hit pause and let the buffer get much bigger than you need, so you can actually watch things without htem stuttering
6) Also, it does weird things like not close when you close the window, and the video kept playing like a full ten seconds after I closed the browser window and quit it. Weird.
Still, though, this thing’s a beta, and the Mac version is obvs. not Microsoft’s top priority, and with those things in mind, I was impressed.
The Democrats really need to hire some user interface designers, though, because whoever designed the player and video clip nav was, well, not hack, but not as UX-conscious as they could have been.

Videos of videos

EA Sports, Wieden + Kennedy and Tiger Woods making video responses to YouTube videos as on-line advertising. I like it. Savvy. And, in the case of the Rubik’s Cube ad, slight amazing.
I particularly like that W+K paid Penn State University film student Bryan Levi, who as Levinator25 made and posted the Tiger Woods PGA Tour 08 Jesus Shot, for the rights to his video.
For God’s sake, both my kids are in film schools, why can’t they sell films rights to W+K to help ME defray massive tuition fees. Maybe I’ll have to make a phone call…

Decision '08

Election time is definitely getting closer. You can tell because every time you turn on the TV or pick up the paper there’s some story screaming about how a candidate has changed their stance, or won new support, or done something drastically “foolish” that could jeopardize their entire campaign. I think its safe to say that this kind of press is going to continue straight through until November.
With everyone getting behind a candidate and swearing that the other is crazy, claiming ‘how could you vote for HIM’, I think its important to make sure you don’t lose your sense of humor in the maddness… Kind of like the folks over at JibJab. If you haven’t seen it yet, you should check out their new original, Time for Some Campaignin’.